DJ Winters joins us to rave about Dancing Plague and how they have her heart.
Sydney Valette’s How Many Lives LP was released as a ten-year anniversary album, celebrating a decade of his musical career. Since his early releases, French born Sydney Valette’s solo-project has progressed drastically in the past ten years - changing from the high-pitched chiptune style of 2009, into an evolved darkwave synth. Although some of those chipper synths still can be heard this latest release, there is a prevalent variation of sounds throughout the tracks; this release is surely not being constricted to a single style.
Deathrock might have been invented in the U.S., or some may see it as the West coast American response to Goth. But it's clear that after the 2000’s deathrock revival you need to look to South America and Europe for the best deathrock acts.
And it's in Chile where the recent rise of Goth/Wave has birthed one of the best Deathrock bands of this decade. Diavol Strâin has been taking the scene by storm lately with their unique and visceral hybrid of deathrock and darkwave.
So its no new news! The new Hante. album FIERCE is out. After Kaelan Mikla dished out a glancing, unexpected blow late in 2018 and stole the show with Nott Eftir Nott; what will the French mastermind behind this new wave of Synth/Dark/Wave band have in store for us in 2019?
Right of the bat! FIERCE delivers the feeling of the project getting its own personal touch. Its always been a critique of mine that Hante. although amazing was a little too similar to Helene De Thoury's previous project Minuit Machine... but its a trend that began to change since Hante.'s previous album Between Hope & Danger, but now in FIERCE you can really notice that departure, saying THIS IS HANTE. without feeling completely strange and unusual.